New Times,
New Thinking.

  1. Culture
12 January 2015

From Marilyn Monroe to Audrey Hepburn: why dead women make the ideal brand ambassadors

The trend for using long-dead actresses to front campaigns aimed at female consumers is at best tasteless and at worst insidious.

By Karen Yossman

Despite having been dead for 52 years, Marilyn Monroe has landed a job that many contemporary actresses would kill for: she has been hired as the new “face” of Max Factor. “We are thrilled to announce that glamour icon Marilyn Monroe is our new Global Ambassador!” the cosmetics company announced on social media to a decidedly mixed response.

Given the nature of an ambassadorial role, one might assume Monroe to be an impractical choice but, thanks to technology, death is no longer an obstacle when it comes to advertising. If anything, it’s an asset. In Forbes’ annual list of top-earning deceased celebrities Monroe ranked number 6, bringing in $17m last year for Authentic Brands Group, who own the rights to her image.

Subscribe to The New Statesman today from only £8.99 per month

Content from our partners
An old Rioja, a simple Claret,and a Burgundy far too nice to put in risotto
Antimicrobial Resistance: Why urgent action is needed
The role and purpose of social housing continues to evolve
Topics in this article :