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24 July 2014

The Great English Novel is dead. Long live the unruly, upstart fiction that’s flourishing online

The reason I’m so excited David Mitchell is writing on Twitter is that he’s one of the few authors who really understands how the medium, as well as the message, makes the story.

By Laurie Penny

In recent months, some writers have yet again begun to lament the demise of the Great English-Language Novel. Writers of unloved books complain that modern readers have problems with their attention span; that technology is changing the way we read and write. They worry that the internet is killing fiction with a thousand tweets. In this doom-laden atmosphere, imagine my excitement when I heard that David Mitchell was writing a short story on Twitter.

I get funny about novelists. You don’t get to be a reporter without developing an extremely high fawning quotient, and if you put me in a room with a politician, a rock star or an actor, I will remain calm. I even retained bladder control in the presence of Benedict Cumberbatch. Novelists, however, are different. Kate Zambreno, the author of the cult hit Green Girl, is a friend of friends, and I once had to be reminded at a party not to stare at her as if I was trying to imagine what her skull looked like from the inside. Which I was, although not in that way. Mostly not in that way.

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